One of the silver linings of the pandemic was that I had the pleasure of getting to know Joy Proctor. Our text messages often consisted of creative musings, and soon we found ourselves collaborating on a dream project that took place at Aman Kyoto, Japan.
We were inspired by Kyoto in the fall, water gardens, and the raw, natural textures of wabi sabi design. I created a detailed water lotus painting to be used as a background and patterning details. For the invitation card, I used a plaster painting technique I learned from my days as a wallpaper designer and added delicate patina washes and bronze foil printing. The details booklet was made from dip dyed, letterpress-printed ricepaper, stitched in a japanese stab binding technique. The invite card and details booklet were placed in custom green silk boxes.
The suite was photographed by Christina McNeill.
One of the silver linings of the pandemic was that I had the pleasure of getting to know Joy Proctor. Our text messages often consisted of creative musings, and soon we found ourselves collaborating on a dream project that took place at Aman Kyoto, Japan.
We were inspired by Kyoto in the fall, water gardens, and the raw, natural textures of wabi sabi design. I created a detailed water lotus painting to be used as a background and patterning details. For the invitation card, I used a plaster painting technique I learned from my days as a wallpaper designer and added delicate patina washes and bronze foil printing. The details booklet was made from dip dyed, letterpress-printed ricepaper, stitched in a japanese stab binding technique. The invite card and details booklet were placed in custom green silk boxes.
The suite was photographed by Christina McNeill.